This image can be reproduced in any way apart from any commercial uses. Not on view due to temporary Getty closure, Pietro Cipriani (Italian, about 1680 - before 1745), 155.3 cm, 93.8946 kg (61 1/8 in., 207 lb. Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601). Among replicas and fragments of less importance, the closest in character and finest in quality is a marble Aphrodite at the Metropolitan Museum of Art, described below. Venus de Medici Italian School Elmbridge Museum Back to image . Cipriani eliminates this element, whose stability is not required in the bronze medium. The Medici Venus--along with Cipriani's Dancing Faun--was created for display at Shirburn Castle in Oxfordshire, the seat or country house of the patron for these works. This image is available for download, without charge, under the Getty's Open Content Program. Style: Hellenistic: Date-Period: Imperial Roman: DESCRIPTION. The recent discovery of Willem van Tetrode’s bronze reduction of the Venus de’Medici revealed that this most iconic of antique marble Venuses was known as early as the mid-16th century. and privacy policy, Enter your email address below and weâll send you a link to reset your password, I agree to the Art UK terms and conditions Some scholars see his choice as possibly inspired by the notion that the ancient marbles were actually copies of lost bronze originals. If you want to see a particular artwork, please contact the venue. It bears a Greek inscription CLEOMENES SON OF APOLLODORUS OF ATHENS on its base. Art UK has updated its cookies policy. and privacy policy, My details can be shared with selected Art UK Partners. Access Advisory Use digital image. Cipriani's Medici Venus is based on a Hellenistic statue that has been on display in the Uffizi Gallery in Florence since the second half of the 1600's. December 1, 2005, pp. Open Content images tend to be large in file-size. The goddess is depicted in a fugitive, momentary pose, as if surpised in the act of emerging from the sea, to which the dolphin at her feet alludes. The artist's name is inscribed in Latin on the plinth, or supporting base, of the sculpture. Contributor Names Stacy, George, publisher Created / Published ... LC-DIG-stereo-1s05323 (digital file from front of original item) Rights Advisory No known restrictions on publication. Updates and additions stemming from research and imaging activities are ongoing, with new content added each week. The tags above come from the public, and also from an image recognition project run by the Visual Geometry Group, University of Oxford. Severe yet sensual, the Roman goddess of Love's well-modeled, undulating curls and upswept hair provide a delicate contrast to the unblemished skin which is polished to a high shine. Images and other media are excluded. This Venus stood at the head of the bath in the Bath Room in the Grotto and remained there until presented to the museum. Daniel Katz Ltd. (London, England), sold to the J. Paul Getty Museum, 2008. It has become one of the navigation points by which the progress of the Western classical tradition is traced, the references to it an outline of the changes of taste and the process of classical scholarship Whereas many such sculptures were displayed unprotected outdoors in gardens, these were not. Though this particular variant is not identifiable in any extant literature, it must have been widely known to Greek and Roman connoisseurs. Remember me (uncheck on a public computer), By signing up you agree to terms and conditions Add or edit a note on this artwork that only you can see. Your feedback will inform how we grow Art UK in the future. Letters from Italy, in the years 1754 and 1755, by the late Right Honourable John Earl of Corke and Orrery (London: printed for B. This statue was one of several brought from Europe by Henry Fiennes Pelham-Clinton, the 9th Earl of Lincoln (later the 2nd Duke of Newcastle-under-Lyme) who built the grotto in the grounds of Oatlands House in about 1770. To find out more read our updated Use of Cookies policy and our updated Privacy policy. This image is available to be shared and re-used under the terms of the Creative Commons Attribution-NonCommercial licence (CC BY-NC). Such copies of Greco-Roman statuary were popular among contemporary wealthy art collectors who wanted their own versions of ancient art seen during their travels in Europe and Greece on what was known as the "grand tour." Wherever you reproduce the image or an altered version of it, you must attribute the original creators (acknowledge the original artist(s), the person/organisation that took the photograph of the work) and any other stated rights holders. Venus de' Medici Pietro Cipriani (Italian, about 1680 - before 1745) 1722 - 1724. É uma cópia em mármore do século I, provavelmente feita em Atenas, de uma estátua de bronze mais antiga no estilo da Afrodite de Cnido, [2] protótipo da família da Vênus Pudica, executada por um escultor da tradição Praxiteliana.A estátua está na Galleria degli Uffizi, em Florença. You may view this object in Mirador – a IIIF-compatible viewer – by clicking on the IIIF icon below the main image, or by dragging the icon into an open IIIF viewer window. [Skip to main navigation] In the marble version, the work features a support to Venus's leg in the form of a putto riding a dolphin. After casting, the artist destroyed the original plasters to prevent a second use, making the works even more extraordinary. An eighteenth-century copy of the Hellenistic Venus di Medici (the original is in the Uffizi, Florence). The J. Paul Getty Museum Los Angeles, United States. Laurent de Médicis (en italien Lorenzo di Piero de' Medici : « Laurent, fils de Pierre de Médicis »), surnommé Laurent le Magnifique (Lorenzo il Magnifico), né à Florence le 1 er janvier 1449 et mort dans la même ville le 8 avril 1492, est un homme d'État florentin et le dirigeant de facto de la République florentine durant la Renaissance. 25-26, figs. "La cultura dell'antico nella Firenze del Settecento: una proposta di lettura." The dolphin would not have been a necessary support for the bronze original. The text on this page is licensed under a, All Getty Research Institute Publications, Conservation Perspectives, The GCI Newsletter, GCI Reference Collection (for materials analysis), Research Assistance at GCI Information Center, Links to Cultural Heritage Policy Documents, Creative Commons Attribution 4.0 International License, International Image Interoperability Framework (IIIF), Gallerie degli Uffizi (Florence), September 18, 2019 to January 12, 2020. Thomas Parker, 1st earl of Macclesfield, English, 1666 - 1732 (Shirburn Castle, Oxfordshire, England), commissioned for him from Cipriani in Florence in 1722 through his son George Parker, by inheritance within the Parker family at Shirburn Castle.Source: Connor, 1998, p. 26, refers to a series of letters from 1722-24 that discuss the commission of the Medici Venus and the Dancing Faun. The Macclesfield Sculpture: The Fruits of Lord Parker's Grand Tour, 1720-22. The Venus de' Medici or Medici Venus is a lifesize Hellenistic marble sculpture depicting Aphrodite in a Venus pudica pose.
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