A detailed guide that analyzes the structural, harmonic and thematic frame. Everything is done with an amazing speed and ponderous force. I have not compared this to other recordings. 31 piano sonatas. Very well done. 2 sonata has a scherzo, in rondo form, as its finale. 2 in D minor, the centerpiece of the set, is flanked by the mild No. The third movement of the same sonata - which has to be a graceful mockery (see Brendel’s fine rendition and comments on this issue), not a tense pronouncement of bravura – runs nervously to a false climax. Allegro Molto 3. There was an error retrieving your Wish Lists. His interpretation of Op.31 No. 6, https://en.wikipedia.org/w/index.php?title=Piano_Sonata_No._18_(Beethoven)&oldid=959037298, Articles needing additional references from February 2013, All articles needing additional references, Articles with disputed statements from December 2017, Articles with unsourced statements from December 2017, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-LCCN identifiers, Creative Commons Attribution-ShareAlike License, For a public domain recording of this sonata visit, This page was last edited on 26 May 2020, at 21:21. 2 ("The Tempest") is noticeably different from his studio recording of the same sonata in 1988: the first and second movements are played markedly faster (40 and 45 seconds faster, respectively, in 2013 compared to 1988), and the new interpretation displays a kind of Modernist objectivity in contrast to the Romantic pathos evoked in the earlier reading. The theme is in the right hand while the left hand contains staccato accompaniment. Pollini plays the trilogy with his usual pursuit of technical precision, clarity, and brilliance. This wasn't the first time Beethoven wrote a scherzo not in ternary form; the Op. 49). The outer movements are duly stormy and quite intense, while the second movement is quieter but also passionate. I prefer it to Pollini's earlier version. Allegro Ma Non Troppo 2, was composed in 1801–02 by Ludwig van Beethoven.It is usually referred to as The Tempest (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime. Avec une version étonnante de la « Tempête » comparée au précédent enregistrement de l’œuvre par Maurizio Pollini (1988). --BBC Music Magazine, 2012. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. The expressive harmonic colour, coupled with the changes of tempi in the introduction (mm. 31) and the two sonatinas (op. Reviewed in the United Kingdom on August 18, 2018. 110), my first attempt at playing one of the composer’s visionary late sonatas. The Piano Sonata No. 購入を検討している方は、おそらくこれまでのポリーニによるベートーベンのピアノソナタをすべて聴いてきたのではないでしょうか。33歳のポリーニがベートーベンの後期ピアノソナタを録音したときは、おそらく全集を完成しようと考えてはなかったと思います。そしてこの度、72歳で最後に「残ったもの」を録音しました。つまりギレリスのように「満を持して」ではなかったということです。曲も演奏もその意味で「予想通り」でした。18番「狩り」では、インテンポで突き進むポリーニらしさが存分に堪能できました。テンペストは、46歳時のものと比べて残念ながら歯切れが悪く（残響の多い遠い録音にもよるのだと思いますが）緊張感が弱いです。これも、前録音が、若きポリーニがあまりにも素晴らしかったし、ベートーベンの他のピアノソナタに言語に絶する傑作が多いことによるのかも知れません。. Final episode in Pollini's Beethoven sonata series, Reviewed in the United States on February 20, 2015. 31, for example, the dramatic No. One of the very best interpretation of these opuses. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. 31) and the two sonatinas (op. pianists of the last 50 years. First impression is that he bets again (almost exclusively) on his uncanny keyboard wizardry and less on subtle nuances and large breathings in his approach to these masterpieces of Classical-Romantic repertoire. The final movement is a very vigorous and rolling piece suspended by continuous, rollicking eighth notes in the bass, featuring tarantella rhythms. Learn how and when to remove this template message, "Piano Sonata No. 3. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Your recently viewed items and featured recommendations, Select the department you want to search in, + No Import Fees Deposit & $8.45 Shipping to Netherlands. With this new release Maurizio Pollini rounds off his Beethoven sonata cycle spanning more than three decades of intensively recording. 31 in A flat (Op. The modulatory passage between the first and second subjects (mm. However, this movement still contains many characteristics of a scherzo, including unexpected pauses and a playful nature. The sonata was given the nickname The Hunt by a third party due to one of its themes being reminiscent of a horn call. Absolutely superb performance od Beethoven's last three sonatas. Each of the sonatas in Op. 33–45) explores the opening chord, but in a minor variation (with a C♭, implying ii7 of E♭ minor), even appearing in bar 36 in the exact spacing (albeit with different spelling) of the Tristan chord, written by Richard Wagner some 55 years later. 31 presents a new and original mode of entry into a large sonata-form movement that according to scholar and pianist Charles Rosen (another great interpreter of this trilogy) are respectively comic, tragic, and lyric in character. 1 and the elegant No. [dubious – discuss] However, as with many of Beethoven's early works, the 'jocular' style can be heard as a facade, concealing profound ideas and depths of emotion. Good price, fast shipping. The sonata was given the nickname The Hunt by a third party due to one of its themes being reminiscent of a horn call. Beethoven: Piano Sonata No.31 in Ab Major Op.110 Analysis. 14, No. 49). A playful jocularity is maintained throughout the piece. This CD, recorded in 2013-14, completes Maurizio Pollini's Beethoven piano sonata cycle. 3, is a sonata for solo piano by Ludwig van Beethoven, the third and last of his Op. Our payment security system encrypts your information during transmission. --Washington Post, 2013[Pollini] has complete mastery of the piano, but something more that goes beyond the notes. Des interprétations de haute volée avec cette touche « pollinienne » faite de précision et de délicatesse, de force sans brutalité. This opening cell is repeated extensively throughout the movement – at the start of the development (m. 89), in the recapitulation (m. 137), and also during the coda (transposed into the subdominant A♭ (m. 220), and then at its original pitch (m. 237)). I'm not a Beethoven or Pollini expert. There's a joy in his own virtuosity, the ease and freedom when so much energy flows through a performer with nothing to hinder the imagination. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Reviewed in the United States on January 30, 2015, ... is the tempestuous performance of the 31/2 sonata.
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