And there is much of the sculptural about the painting. The Deposition. The Deposition of Christ. Deposition c. 1435 Oil on oak panel, 220 x 262 cm Museo del Prado, Madrid: The earliest painting that can be ascribed to Rogier van der Weyden with any certainty is also the artist's greatest and most influential extant work: the great Deposition. The shallow space is further limited by the use of the gold-stippled background. As Weyden did, this artist described faces, fabrics, and objects in great detail and arranged the figures as though in a frieze. Van der Weyden, who survived the Black Death raging in his native Tournai in 1400, was heavily influenced by the funereal statues and carvings he saw growing up. Rogier Van der Weyden. Rogier van der Weyden 1399/1400 – 1464. This work is linked to John 19:39 The Descent from the Cross (or Deposition of Christ, or Descent of Christ from the Cross) is a panel painting by the Flemish artist Rogier van der Weyden created c. 1435, now in the Museo del Prado, Madrid. Rogier Van der Weyden's Deposition, painted in 1436 when he was serving as official painter to the town of Brussels, is one of the most dramatic religious paintings ever executed. oil on panel (220 × 262 cm) — 1435 Museo del Prado, Madrid Rogier van der Weyden biography. Interpretation of Descent From the Cross by Roger van der Weyden. The crucified Christ is lowered from the cross, his lifeless body held by Joseph of Arimathea and Nicodemus. The artist, a follower of Rogier van der Weyden, based this painting on Weyden's altarpiece, now in the Prado in Madrid.
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