The Penitent Magdalene is a painting of saint Mary Magdalene by Titian dating to around 1531, signed 'TITIANUS' on the ointment jar to the left. At the end of the Middle Ages a tradition grew up that she had grown a "suit" of hair all over her body except for her face, hands and feet. You will find this powerful scene at the Hermitage Museum in Saint Petersburg in what is considered by many to be amongst the finest art galleries in the world. It is now in the Sala di Apollo of the Palazzo Pitti in Florence, Italy. In the earlier work she is virtually naked but the two are very similar in style and content. Buy Titian prints online from our extensive gallery. Titian's Penitent Magdalenes: The composition of the Penitent Magdalene was one of Titian's greatest popular and critical successes. Penitent Mary Magdalene (1565) oil on canvas (118 × 97 cm) — ca. The main difference is the addition here of a vase, an open book and a skull which is commonly referred to as a memento mori where one reflects on one's own mortality. The Penitent Magdalene is a 1565 oil painting by Titian of saint Mary Magdalene, now in the Hermitage Museum in Saint Petersburg. This is thought to have originated in liturgical drama and is often depicted in South German art. There is also a dark rock to the left of the composition which helps the blue sky to stand out even more. The Penitent Magdalene. The Penitent Magdalene is a painting of saint Mary Magdalene by Titian dating to around 1531, signed 'TITIANUS' on the ointment jar to the left. Date. Titian 1487/90 – 1576. This work is linked to Luke 8:2. Indeed, most of the many depictions of the subject in art showed the Magdalen with no clothing at all, or just a loose wrap, as in Titian's later treatment. It is particularly the palette used for the landscape scene in the background which differs the most. Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Penitent_Magdalene_(Titian,_1565)&oldid=967161250, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 July 2020, at 14:16. The Magdalen's radiant appearance before a dark background, as if her light comes from within, caused Vittoria to believe that the Magdalen "is aglow with her burning passion for Christ". Having spent 30 years in the desert, she now appears in a forelorn state. Titian's depiction achieves a similar effect and may well recall the German treatments. 118.5 x 94.3 cm. This served as a warning to all others of what can happen if you divert from the word of God, such as when people become distracted with the material world. A famous art dealer would invest in artists such as Henri Matisse before the point at which they were truly famous, meaning he was able to snap a great number of artworks at competitive prices. ; 33 x 24½ in.framed: 208 x 114 cm. All Rights Reserved. © www.Titian.net 2018. 1565 Hermitage, St. Petersburg Titian biography. "Vittoria Colonna and Titian's Pitti "Magdalen"". Learn about Titian's painting, Penitent St Mary Magdalene. About 1720-1725. According to popular works such as the Golden Legend, she spent her last years naked and alone in a hermitage in the mountains of Provence, fed only by the singing angels who visited her daily. It is now in the Sala di Apollo of … The Penitent Magdalene is a 1565 oil painting by Titian of saint Mary Magdalene, now in the Hermitage Museum in Saint Petersburg.Unlike his 1531 version of the same subject, Titian has covered Mary's nudity and introduced a vase, an open book and a skull as a memento mori.Its colouring is more mature than the earlier work, using colours harmonising with character. Its colouring is more mature than the earlier work, using colours harmonising with character. Add a touch of culture to your inbox. Property of a Distinguished Spanish Private CollectionFOLLOWER OF TIZIANO VECELLIO, CALLED TITIANTHE PENITENT MAGDALENEoil on canvas, inan Italian Baroque style carved giltwood frameunframed: 83.7 x 62.1 cm. This was a later version along the same theme as Titian's Repentant Mary Magdalene. ... a Venetian type that had a long and notable history, with examples by Titian and Veronese, among others. Titian's version of the subject shows her at a moment of elation and deep repentance, with tears in her eyes (referring to her washing Jesus' feet and drying them with her hair) and her gaze raised heavenwards. The Penitent Magdalene is an artwork on USEUM. [1] Vittoria, a learned and devout woman, was greatly inspired by Titian's image of the Magdalen, even though the Magdalen is very sensuously portrayed in Titian's depiction. Titian chose to use more vibrant colours in this later work, which is more inline with the style that he is most well known for. A wide audience for the image was accessed by Titian himself, who employed the Flemish engraver Cornelis Cort to engrave his composition to make it available to an international clientele (see fig. Titian Paintings Assumption of the Virgin Bacchus and Ariadne Danae Diana and Actaeon Emperor Charles V at Muhlberg Man with a Blue Sleeve Noli me Tangere Philip II Pope Paul III Portrait of a Lady ('La Schiavona') Rape of Europa The Aldobrandini Madonna The Birth of Adonis The Death of Actaeon The Flaying of Marsyas The Holy Family with a Shepherd Upon seeing Titian's conception of Mary Magdalene, Giorgio Vasari declared that the picture "profoundly stirs the emotions of all who look at it; and, moreover, although the figure Mary Magdalene is extremely lovely it moves one to thoughts of pity rather than desire.". Erotic though it is, as Vasari notes, her nudity refers to the medieval legend that her clothes fell apart during the thirty years she spent repenting in the desert after the Ascension of Jesus. Debby, Nirit Ben-Aryeh (2003-01-01). Tiziano Vecelli known in English as Titian was an Italian painter, the most important member of the 16th-century Venetian school. Additionally, the Magdalen's golden hair, fleshy body, and full lips correspond with the Renaissance beauty standards at the time.[2]. washing Jesus' feet and drying them with her hair, https://en.wikipedia.org/w/index.php?title=Penitent_Magdalene_(Titian,_1531)&oldid=967161311, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 July 2020, at 14:16. Oil on canvas. However, it is universally believed that Vittoria gave the Magdalen away to Eleonora Gonzaga, as it was found in her son the Duke of Urbino's collection in 1631. Dimensions. In the background the sky is bathed in the rays of the setting sun, with a dark rock contrasting with the brightly lit figure of Mary. Saint Mary in this depiction seems particularly distraught as she reflects on the errors of her ways. His boldness was to the benefit of the Hermitage Museum, who received most of them at a later date. Unlike his 1531 version of the same subject, Titian has covered Mary's nudity and introduced a vase, an open book and a skull as a memento mori. 1). It was commissioned by the Duke of Mantua, Federico Gonzaga, to be a devotional image for the famous poet Vittoria Colonna (1490–1547).
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