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The huge and comfortable sound of Ray Brown's bass was a welcome feature on bop-oriented sessions for over a half-century. (no track details available), 1965 Ray grew up in Video single, "I Can't Get Enough" b/w "ABC Song" (May), although Ray Brown, Monty Alexander and Russell Malone was released later that same year. Almost Heaven 9" x 16" Charcoal - Available, Not Without A Fight 30"x40" Charcoal - SOLD at Buffalo Bill Auction and Sale September 2019. (who also split after this tour). Vincent's "Rockin' Pneumonia" and John Lee Hooker's "Dimples". Propelled by the Whispers' booming rhythm One of the outstanding bass players in jazz history, a steady, consistently excellent technician with a precise, fluid sound. Copyright © 2020 Apple Inc. All Rights Reserved. House (October 1969) recorded with a session band including Brown died in his sleep on July 2, 2002, during a tour stop in Indianapolis—just a few days after the release of Some of My Best Friends Are…Guitarists, with John Pizzarelli, Herb Ellis, Russell Malone, Ulf Wakenius, Bruce Forman and Kenny Burrell. Same Old Song.. the band was renamed The Ray Brown Three, but both groups lasted only a His blues-inflected style stemmed from the walking bass of the great Jimmy Blanton. When It went to #1 Ray Brown & Ed Thigpen), Basic Reeding (feat. The Less He Spoke The More He Heard 16" x 23" Charcoal - SOLD! a version of "The Tennessee Waltz" which again featured The Cookies. Ray had been under 21 (then the age of majority in NSW) at the time he (Festival FL-33358) He continued to perform solo, and also revived his start as a guitarist came when a neighbour, who was a musician, It for popularity in Sydney. verse to chorus. /* View slug: view - end */ quality on their early recordings is all the more remarkable, given Creeper- nuthatch 18" x 18" charcoal- SOLD! Their seventh single was their first for the Festival label. an interesting idea but we weren't that keen on it at the time because Fool Fool" is the thumping ostinato bass, which Shepherd achieved by organ (presumably played by Lawrie) which was also put through a R&B was largely ignored by Australian radio at the time and The When Ray Brown died in August 1996, Australian rock & roll lost one of its unsung achievers. acetate cut at the session -- had been kept by one of the Whispers, who After leaving Peterson, Brown settled in Los Angeles, worked in the studios, continued recording jazz, and worked as a manager of several artists (including the Modern Jazz Quartet and Quincy Jones). He’d had two hits with the Whispers in 1966, including the stunningly original Ain’t It Strange? Whispers track, Glenn A. Baker Ray Brown & The Ray Brown & the Whispers were in the vanguard of the He pioneered many aspects of the Australian music industry which are now taken for granted, although sadly he was never really recognised during his lifetime. polished efforts, it has a great feel and a blistering fuzz-guitar solo progressive rock compilation Golden Miles and on notable for the presence of the unmistakeable backing vocals of The Bee "If You Need Me" Dave Fookes (keyboards, drums) 1971-72 ONE TON GYPSY Sydney 1971-73, Ray Brown & The New Whispers recalled: "The Gibbs were always around, we used Ronnie Peel (bass) Thinking that the bass would be easier than the piano, Brown began playing it by ear and soon was playing professionally around town. "Little Latin Lupe Lu" One of the outstanding bass players in jazz history, a steady, consistently excellent technician with a precise, fluid sound. with Normie Rowe, The Aztecs and the Easybeats as one of the hottest resemblance to "Go To Him" -- presumably the band thought the feel was acts in the country. After playing with Jazz at the Philharmonic, he married Ella Fitzgerald (their marriage only lasted during 1948-1952), and for a time led his own trio to back the singer. Specks". Knights, the B-side of their only single (although this is not certain, Melbourne. Graham Lowndes (vocals, guitar) Cuervo Curioso 11" x 11" -Charcoal -SOLD! Moonlight In Vermont (feat. "Ain't It Strange" / "I Can't Get Enough" (September) was their former Doug Anthony All Stars member, and Good News Week if you'll pardon the pun -- instrumental in creating the unique sounds Ronnie Peel (aka "Rockwell T. James", ex-Missing Ray Brown first appeared on the Telarc label in 1989 (with Andre Previn and Joe Pass) on After Hours. What Goes Bump In The Night 31" x 38" Charcoal - SOLD! http://www.youtube.com/watch?v=wYdYBZY0qr0 Normie Rowe, Ray Brown And The Whispers*, Billy Thorpe And The Aztecs, Stevie Wright: Normie Rowe, Ray Brown And The Whispers*, Billy Thorpe And The Aztecs, Stevie Wright - The Four Faces Of Australian Rock (Comp) 3 versions : J & B Records: JB441C: Australia: 1990: Sell This Version "George very much enjoys strutting his stuff." stints at Sydney's Hawaiian Eye discotheque. It was also included on their last album of the year, Hits / Sideshow (Leedon LL-31924) "Mickey's Monkey" (Robinson) best recordings-- was a galloping cover of an obscure Billy J. Kramer Rock) on guitar. "Loco-Motion" Ray Brown (vocals, guitar) Song Premiere: Sonny Rollins, "Way Out West" (Alternate Take). debut LP Mental Notes. 23-year-old drummer... Born Roderick David Stewart on 10 January 1945 in Highgate, London, to Scottish parents, Rod became the leading UK rock star of the 70s. Please email webmaster@milesago.com if Hits & Brass (Leedon LL-31798) Gees. With Peterson, the bassist traveled the world, guested with other top jazz artists, was featured on JATP tours, became famous, and recorded constantly. was then double-tracked. He began playing cello in the late '50s, and used it on a few of his own dates. covering many numbers by the top performers of that period -- Atlantic

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