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Meanwhile, the shape of the figure and the colours used are similar to a portrait by Raphael (painted before 1516) which Rembrandt had seen and sketched the previous year. We see the artist in confident pose – self-assured, dressed in expensive-looking fur and velvet, his hat laced with jewels. The beam bounces off his high forehead and the tip of his nose; it catches on his mottled, pitted brow and the tufts of hair around his lips. Strokes of Genius: Rembrandt's Prints and Drawings, NGA Online Editions Others – such as the one he painted aged 34 – were apparently intended to enhance his image as an artist. Help keep us free by making a donation today. That mysterious look in his eye may not be one of existential angst, but that of a painter deeply engaged in the challenges of his art. Rembrandt never married Hendrickje (a clause in Saskia’s will made remarriage financially disadvantageous), and when she became pregnant with their child, she suffered public condemnation. This is one of dozens of self portraits by Rembrandt. We see the artist in confident pose – self-assured, dressed in expensive-looking fur and velvet, his hat laced with jewels. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. This is one of Rembrandt’s most famous self portraits, but it is also a painting concerned with history and illusion. This may be a portrait of an individual friar, or perhaps a t... Rembrandt’s painting, unique for him in its tender intimacy, shows a young woman almost up to her knees in a stream. Interpreting a painting on the basis of an artist’s biography may be misleading, however, particularly an artist whose life has been romanticized to the extent of Rembrandt’s. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. This atmospheric painting shows a lonely figure seated in front of a huge volume open on the table before him. It’s much thicker and more intensively applied; so much so that he appears to be modelling the skin in three dimensions. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. The blemishes on his forehead are formed of blotches of coagulated paint. They were not portraits of individuals – the identity of the sitter wouldn‘t have been considered relevant, either to the artist or the person who bought the painting. Jacob Trip, who made much of his money as an arms dealer, had been married to Margaretha de Geer for nearly 60 years. But, though he is a Dutchman living in the 1640s, Rembrandt is wearing the clothes of a gentleman of the 1520s and his... Christ’s body has just been taken down from the Cross, and his family and followers mourn over him – a moment known as The Lamentation. X-ray images show that Rembrandt did, at first, depict himself as an artist at work – hands open, holding what seems to be a brush. Rembrandt: The power of his self portraits | National Gallery And Rembrandt’s motives may have been rather more straightforward, driven less by soul-searching and more by a professional fascination with the textures, flaws and subtleties of the human flesh. One figure stares directly at us, a look of apparently benign amusement on his face as he holds his hand close to his chest. The source of the light is hidden, so it seems to radiate directly from the sleeping child, illuminating the faces of all around him.The scene represents the... A Woman bathing in a Stream (Hendrickje Stoffels? Closed, Sculpture Garden One figure stares directly at us, a look of apparently benign amusement on his face as he holds his hand close to his chest. Rembrandt purchased an expensive house in Amsterdam, but used credit to fund a large part of the purchase, a decision that later affected his financial stability. By taking the pose and clothes of a gentleman he was claiming a much higher social status than was usually afforded to artists at the time. This may be a portrait of an individual friar, or perhaps a t... Rembrandt’s painting, unique for him in its tender intimacy, shows a young woman almost up to her knees in a stream. This is one of dozens of self portraits by Rembrandt. When he painted himself, he could study his reflection for as long as he liked – and with an intensity which might have been disconcerting for some of his clients, many of whom were the same age as him. The sitter – whom Rembrandt did not name – has an almost regal poise. Stay up to date about our exhibitions, news, programs, and special offers. Some of Rembrandt’s most powerful paintings are of men and women immersed in thought, depicted with bold brushwork and dramatic, shadowy light effects. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. The light that so effectively illuminates the head also accents the artist’s left shoulder and, to a lesser extent, his broadly executed clasped hands. Rembrandt initially copied Lastman’s compositions and subjects, but he soon developed original interpretations of mythological and biblical stories. You must agree to the Creative Commons terms and conditions to download this image. By age 21, the artist had established his own studio and had taken on the first of many students. Saskia died in 1642, leaving Rembrandt to care for their son Titus. This trick of perspective seems to be a reference to some of the great paintings of the Renaissance. Rembrandt painted this self-portrait in 1659, when he had suffered financial failure after many years of success. Rather it is a study of a character type, dressed in an exotic costume intended to evoke an earlier era.Portraying figures in imaginary historical... We are in the middle of a card game. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. This genre, popular at the time, depicted personality types.It is signed Rembrandt halfway up on the right-hand side; scientific analysis suggests that i... A burst of brilliant light shines on the newborn Christ, who is watched over by Mary, Joseph and a gathering of worshippers and onlookers. This is one of a pair of portraits of a husband and wife, one of the richest couples in the Netherlands. Rembrandt is also using an age-old artist’s trick or illusion. This is one of a pair of portraits of a husband and wife, one of the richest couples in the Netherlands. In these early paintings, Rembrandt began inserting his own portrait as a bystander or participant, initiating a lifelong pursuit of self-portraiture. Download a digital image of this work, Rembrandt van Rijn, Self-Portrait, 1659, oil on canvas, Andrew W. Mellon Collection, 1937.1.72.

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