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St. Jerome, one of four fathers of the Church, was the first to translate the Bible to Latin. The austere, Gothic, ecclesiastical setting with its slender columns and arches, which might be intended to represent the saint’s monastery, is enlivened by the colourful floor tiles. Every detail is painted with precision, his skill in the oil painting technique enabling him to imitate a range of textures and finishes. The study resembles a modern purpose-built office with built-in shelves and desk, and the whole structure is raised up on a platform accessible by a small flight of integrated steps. Help keep us free by making a donation today. Saint Jerome in His Study is an oil painting on panel attributed to the workshop of the early Netherlandish painter Jan van Eyck, dated to 1442 (the year after the master's death) and now in the Detroit Institute of Arts, Detroit. His translation of the Bible from Greek into Latin is known as the Vulgate, and it is still used by the Catholic Church today. Below is a lion, recalling the saint's legend in which he had extracted a thorn from the paw of the animal, who had later remained loyal to him. Saint Jerome in His Study is an oil painting on panel attributed to the workshop of the early Netherlandish painter Jan van Eyck, dated to 1442 (the year after the master's death) and now in the Detroit Institute of Arts, Detroit. Second half of the 15th century: Lazzaro Bastiani's Predella of St. Jerome Objects on the desk and the shelves include an hourglass, a pounce pot, a ruler, an astrolabe, numerous books and writing instruments, all suitable for the idealized Renaissance man. There are indeed striking similarities between this work and Domenico Ghirlandaio's Saint Jerome in His Study (1480). Since the date on the painting is subsequent to Jan van Eyck's death (June 1441), it is likely that the work, left unfinished, had been completed by members of his workshop, or his brother Lambert. This technical ability, inspired by his study of Netherlandish art, was hugely influential for the artists of Venice, where Antonello made this painting. You must agree to the Creative Commons terms and conditions to download this image. St Jerome in his study, Marinus van Reymerswale (attributed to), c. 1535 - c. 1545 oil on panel, h 80.5cm × w 109cm Catalogue entry Although our doors have temporarily closed, it's still possible to book tickets for visits from 2 December onwards. It is guarded by two birds: a partridge, which symbolises truth – it was thought that a partridge always recognised its mother’s call – and a peacock, symbolising immortality – their flesh was thought never to decay. He is supported in his final moments by the Virgin Mary and his disciple John the Evangelist. The picture shares other traits with Netherlandish painting – the setting of a Gothic cathedral-type architecture was popular with Netherlandish painters, as was the landscape viewed through a window or opening. Underneath the desk, where one puts one’s feet, is a wooden platform raised up from the ground.'. The painting depicts Saint Jerome in the traditional representation inside his study. If you stumbled upon paintings conservator Dina Anchin discussing the conservation of Joos van Cleve’s Saint Jerome in His Study, you might think she was describing a recent camping trip. Caroline Campbell, the National Gallery's Director of Collections and Research, discusses the early Renaissance painter Antonello da Messina's painting, 'Saint Jerome in his Study'. The Virgin Mary glances down at her baby son, Christ, who clutches a pomegranate in his tiny fist. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Christ blesses the viewer with his right hand. Portrait of Giovanni di Nicolao Arnolfini, Virgin and Child with Canon van der Paele, Christ on the Cross with the Virgin and Saint John, https://en.wikipedia.org/w/index.php?title=Saint_Jerome_in_His_Study_(after_van_Eyck)&oldid=980386478, Paintings of the Detroit Institute of Arts, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 September 2020, at 07:40.

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