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Old Holland (reviewed June, 1999) - 168 colors, 57% of them single pigment paints. Because most painting instructors advise students to buy the best quality paints, and my interest was to examine pigments in the purest, highest quality form available, I have not evaluated any "student" paints for these reviews. The line has been revised recently, primarily by discontinuing a few costly or polluting pigments (such as manganese blue, PB33) and adding some stunning but typically fugitive "brilliant" colors made with basic dyes of poor lightfastness. These are either uninterpretable (indian yellow-green lake extra is a dull mixture of nickel dioxine yellow, PY153 and copper azomethine, PY129 that has no greenish hue) or are idiotically pretentious (rose dore madder lake antique extra is a dull and impermanent mixture of benzimidazolone scarlet PR175, anthraquinone scarlet PR168, and alizarin crimson PR83). I hope to clarify just three essential points: (1) the fundamentals of paint attributes and paint evaluation; (2) examples of the business issues that affect paint quality and the marketing information available to you, the artist; and (3) the importance of doing your own lightfastness tests and paint tests. Here Lukas illustrates the three paint manufacturing realities: (1) brand quality and paint pigment ingredients are continually moving targets, (2) the past quality standards of a paint company — good or bad — are no guarantee of current or future standards, and (3) the marketing claims of art manufacturers simply cannot be relied on. Thanks for taking the time chart out the Blockx colors. Some of these — opera, permanent yellow deep, cadmium green #1, jaune brilliant #2 — are the secret vices of many professional artists. of paint — and for that reason are also a little too soft and easy to dent (don't drop them!). Several pigments used in the line — monoazo yellows (PY1, PY74), naphthol reds (PO5, PR8,PR9) and disazopyrazolone orange (PO34) — are relatively cheap pigments that are usually rated less lightfast; their cadmiums are the cheapest of any line reviewed here. Because these paints are not professional quality, and use no pigments not available elsewhere, I haven't included White Nights or St. Petersburg in the paint evaluations. ), bamboo green (phthalo green yellow shade), cherry red (quinacridone red), and historical names such as carmine or rose madder (both actually made with alizarin crimson). tubes. The accuracy and clarity of paint names is poor — there's a disappointing preference for the antiquated terms of paintmaking, and lots of "permanent" colors. In one instance, the paint is perhaps too good to be true: his copper azomethine (green gold) retains its green hue yet achieves a chroma above 90 (!) The finished appearance of the White Nights paints varied with the color: the scarlet, madder lake (alizarin crimson), carmine and ultramarine blue were rich in masstone; the cadmiums were thin; the cobalt blue was cut with additives; the earth colors were grainy and, like the phthalo green and red violet, rather dull. Tube ingredient information shows pigment common name, color index generic name. They leap from the pan when touched with a wet brush, a responsiveness that takes time to get used to. Tube ingredient information shows only generic pigment categories — "contains arylide," "contains naphthol AS" — which are useless to identify the specific pigment used; color index information is only provided in the paint brochure or by clicking on individual color swatches at their web site. Old Holland makes a beautiful Classic Paint Brand. Paint tubes are bare metal with a gummed paper label, available in 6 ml. In addition, the cobalt blue is lightened with chinese white (PW4) and even the relatively inexpensive ultramarine blue is boosted with phthalo blue (PB15). About the watercolor line I have four reservations. Dry pan paints are not available, but the tube paints set up well in pans, though most shrink substantially (up to half their wet volume) on the first pour (I find that three pours are usually required to fill a pan). (2) Because the vehicle contains no gum arabic, the paints stain very aggressively: applied to dry paper they accent even slight imperfections in surface sizing, show the first brushstroke imprints or edges, and are difficult or impossible to lift from many papers. Only certain paints are recommended, and I suggest Doak be considered a (high priced) source of raw pigments rather than finished watercolor paints. My microscopic analysis of draw down samples, and the cloudiness of paints in diluted tinting tests, confirms that the paints are formulated with a heavy load of fillers and weak brighteners which don't do much to goose up the colors. The accuracy of paint names is very poor, and there are at least two incorrectly described paints. This cost difference is usually achieved by using less pigment or a lower grade of pigment, "hue" or substitution mixtures for expensive pigments, more dispersant (to reduce milling time), and the addition of brighteners or fillers. I was not enthusiastic about the prepackaged pigment selection — the set should include a "red" quinacridone violet, a phthalo blue (both now available separately), and an ultramarine blue (still not offered). An Oregon (USA) manufacturer of intense, rich, finely milled and moderately priced paints, sold primarily through independent art retail stores. ), Sennelier (reviewed June, 1999) - 80 colors, 48% of them single pigment paints. A few weeks ago I received a sampler of the full range of Blockx watercolors, which is a really great product to test their paints with. The overall impression is that these paints remind me of Old Holland watercolor. Overall, a disappointingly substandard line of paints, with significant lightfastness and labeling problems. However, the vehicle is unusually dense, with a sticky, stringy consistency similar to taffy, making the paints so gummy that they take longer to dissolve in water than any other brand. (Paint line minimally documented by manufacturer; the spec sheet emailed to me contained several errors. The color spectrum is well balanced, the earth pigments are nicely contrasted; the paints produce pretty mixtures and pleasing color relationships seem to happen by themselves.

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